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DEAR EMMA

Somewhat superficial, funny, and short.

A college junior with an advice column discovers that following her own counsel is easier said than done.

Harriet lives a fairly standard college life: hanging out with her two closest friends, going to classes, drinking, and enduring hangovers—all while secretly dispensing wisdom to peers in her advice column, "Dear Emma." Each week, students write in with dating and friendship problems, and Harriet replies with clearheaded and thoughtful solutions. After all, Harriet’s been an observer for so long that she’s developed a knack for identifying the hidden fault lines in others’ lives. But when she meets the enigmatic Keith in her Spanish Civil War class, everything changes; she’s finally at the center of her own drama, and the weeks that follow are a flurry of excitement, study dates, and road trips. As their texts fizzle out, though, Harriet’s plunged into despair. As she continues to harp on Keith, everything seems to be going wrong around her: she’s fighting with her roommate; going to the civil war class is torture; she spots a pretty girl writing on Keith’s Facebook wall. Things get interesting when that girl, a senior named Remy, begins working the same library shift as Harriet, whom she begrudgingly begins to befriend; and when Remy writes Emma asking whether she should break things off with Keith, Harriet is forced to re-evaluate the way she views guys, friendship, and the integrity of her column. Heaney’s (Never Have I Ever, 2014) debut novel is a relatable depiction of modern college romance, and Harriet, despite her annoying obsession with Keith, has an endearingly humorous voice (“I have been waiting my whole life to quiz a hot guy in the library and now that it’s here I’m like, not ready”). However, the novel’s scope is so limited that it may not hold readers’ attention. College can indeed be a bubble, but Harriet’s sole focus on guys and day-to-day dramas precludes more complicated or long-term plotlines—which could have transformed Harriet from a merely humorous character into a well-rounded, satisfying one.

Somewhat superficial, funny, and short.

Pub Date: March 1, 2016

ISBN: 978-1-455-53460-9

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: Dec. 6, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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