Fun—if overly familiar—vampire fiction made palatable by memorable characters.
In Wilson’s supernatural thriller, a young woman discovers she has a rare, supernatural gift after surviving a tragic accident.
All things considered, Sarah Woodward ought not to be alive. When the bus she was on swerved off the road and plunged into Elliott Bay, Sarah was the sole survivor among the 15 victims. Not only did she survive, she had the presence of mind and absence of injury to swim to shore, where she found herself physically (if not emotionally) unscathed. Soon after, though, strange things begin happening to Sarah; she feels, somehow, both alive and dead, as though trapped in a sort of purgatory. Small injuries to her skin heal almost instantaneously, and she keeps having the same dream of a mysterious cave that feels inherently familiar to her but that she cannot place in memory or the real world. While at an art gallery, seeking out some normalcy in the aftermath of these upheavals to her reality, she meets a young-looking man with a keen, almost stalker-like interest in her, and, despite her best instincts, she goes to a second location with him. She discovers, quickly, that this man, Alex Smith, is not young at all; in fact, he’s a vampire, and more than three centuries old. He has been looking for Sarah ever since the bus crash she survived—he witnessed the whole thing, his vampiric senses able to trace her far-off heartbeat as he heard all the others go silent. Around the time she meets Alex, Sarah is also questioned in the bookstore where she works by a mysterious stranger, Lucy Goodspeed, who claims to work for a shadowy organization known as the “Society of Keepers.” Before Sarah has a chance to talk with Lucy, she and Alex discover something troubling: Sarah’s blood has the capacity to make Alex “alive” again, at least somewhat—after tasting a mere dribble, he’s breathing again, temporarily, for the first time in centuries. When this experiment nearly kills him, Sarah decides it’s time to talk to the Society of Keepers, hoping to get some answers—but the mystery only deepens when, unprompted, Lucy shows Sarah a photograph of that very cave she’s been dreaming of for weeks…
In her first novel, Wilson has managed to find an interesting wrinkle in the classic vampire narrative in the character of Sarah, a sort of supernatural foil who is not the typical werewolf or vaguely Christian ideological crusader, which helps to make this vampire yarn feel at least a bit fresh. That being said, readers’ appetites for sentences like “I can’t tell her I’ve started falling insanely too fast for someone who happens to be a vampire” have been eroded by decades of teen-lit plumbing the exact same dynamics. The plotting sometimes feels too convenient—one wonders about that chance meeting at the art museum—but there is real pathos to Sarah’s character, who feels like a friend from college you’ve mostly forgotten about but who now finds herself in extraordinary circumstances. Fans of vampire fiction won’t find much new here, but those open to an undead thread running through an engaging narrator’s strange experience will enjoy the ride.
Fun—if overly familiar—vampire fiction made palatable by memorable characters.Pub Date: June 25, 2024
ISBN: 9798989867516
Page Count: 218
Publisher: Self
Review Posted Online: April 10, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.
Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.
Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.Pub Date: Jan. 14, 2025
ISBN: 9781250337788
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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