Kenison’s wise comments on what she calls “the humble business of life” are often a pleasure to read. With repetition,...
From the author of Mitten Strings for God (2000), another gentle reminder to mothers to slow down and savor the joys of the quotidian.
For Kenison, ordinary days were in somewhat short supply in the period covered by this memoir. She decided that her suburban Massachusetts community was too high-pressure and competitive, and that her family would be better off in a more leisurely rural setting. Before finding a new home, the Kenisons sold theirs and moved into her parents’ home along with their two adolescent sons. The house they found in New Hampshire was a run-down, 200-year-old summer cottage. After camping out in it for one idyllic summer, they tore it down and designed and built a new, larger house. While constructing a house is a process normally fraught with tension, the Kenisons’ experience was aggravated by the fact that she unexpectedly lost the job she had held for 16 years, as series editor of The Best American Short Stories. Eventually the new house was, if not completed, at least in move-in condition. As they settled in, the author’s older son, Henry, was in his final year of high school, and anxiety about college admission replaced construction concerns, at least for the author. Kenison, who writes of the necessity of letting go of one’s children, apparently had a hard time actually doing it, and the space devoted to Henry’s struggles and accomplishments seems disproportionate to the rest of the text. Meanwhile, her younger son was going through an exasperating teenage rebellion. “I am constantly reminded of just how high adolescents highs can be on any given day and just how low the lows,” she writes. “What I love most, though, are the rare and deliciously peaceful plateaus in between.”
Kenison’s wise comments on what she calls “the humble business of life” are often a pleasure to read. With repetition, however, the sweetness quotient becomes cloying.Pub Date: Sept. 7, 2009
ISBN: 978-0-446-40948-3
Page Count: 310
Publisher: Springboard Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2009
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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