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THE GOLDEN ACORN

Forget the message. Come for the cacophony of color and the slapstick instead.

The cadre of compassionate forest critters from A Loud Winter’s Nap (2017) returns to prove that teamwork beats going it alone.

Squirrel’s no slouch. For the last eight years she has won the Great Acorn Hunt, but this time around someone’s thrown a wrench in the works. After a rule change, the race is now a team competition, and Squirrel quickly discovers her friends Beaver, Tortoise, Rabbit, and Bird aren’t quite as adept as she at navigating treetops. Come race day, Squirrel must constantly cede her lead to help her teammates when they get stuck. It’s not entirely clear why her friends want to participate in the race at all or, for that matter, why the cutthroat competitor, after swallowing her annoyance with them throughout, has a 180-degree change of heart mere pages from the tale’s end. She’s left her friends behind and snagged the Golden Acorn by herself— but “Tired, sweaty and...lonely,” Squirrel abandons it and goes back to her friends. “From now on, Squirrel’s friends would ALWAYS come first.” This epiphany feels tacked on at best, if not outright unbelievable. Hudson’s artistic flair helps to compensate for her storytelling. Set against a rich autumnal backdrop, pumpkin pie, candied apples, and warm woolen scarves pop. Plus, it’s hard to imagine any funnier representation of a beaver squeezing through oaken knotholes than this.

Forget the message. Come for the cacophony of color and the slapstick instead. (Picture book. 4-7)

Pub Date: July 1, 2019

ISBN: 978-1-68446-036-6

Page Count: 32

Publisher: Capstone Editions

Review Posted Online: March 26, 2019

Kirkus Reviews Issue: April 15, 2019

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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