by Katy Hudson ; illustrated by Katy Hudson ‧ RELEASE DATE: July 1, 2019
Forget the message. Come for the cacophony of color and the slapstick instead.
The cadre of compassionate forest critters from A Loud Winter’s Nap (2017) returns to prove that teamwork beats going it alone.
Squirrel’s no slouch. For the last eight years she has won the Great Acorn Hunt, but this time around someone’s thrown a wrench in the works. After a rule change, the race is now a team competition, and Squirrel quickly discovers her friends Beaver, Tortoise, Rabbit, and Bird aren’t quite as adept as she at navigating treetops. Come race day, Squirrel must constantly cede her lead to help her teammates when they get stuck. It’s not entirely clear why her friends want to participate in the race at all or, for that matter, why the cutthroat competitor, after swallowing her annoyance with them throughout, has a 180-degree change of heart mere pages from the tale’s end. She’s left her friends behind and snagged the Golden Acorn by herself— but “Tired, sweaty and...lonely,” Squirrel abandons it and goes back to her friends. “From now on, Squirrel’s friends would ALWAYS come first.” This epiphany feels tacked on at best, if not outright unbelievable. Hudson’s artistic flair helps to compensate for her storytelling. Set against a rich autumnal backdrop, pumpkin pie, candied apples, and warm woolen scarves pop. Plus, it’s hard to imagine any funnier representation of a beaver squeezing through oaken knotholes than this.
Forget the message. Come for the cacophony of color and the slapstick instead. (Picture book. 4-7)Pub Date: July 1, 2019
ISBN: 978-1-68446-036-6
Page Count: 32
Publisher: Capstone Editions
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
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New York Times Bestseller
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Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Cam Kendell
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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