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STAR KNIGHTS

A lively hero’s journey, not least for a frog.

A young frog finds a friend and embarks on an adventure that upends a myth.

Tad longs to transform into a Star Knight like those told about in local legends. In the stories, falling stars conferred humanlike forms on the animals living in the forest. They became knights who built a grand, prosperous city on the mountain, but a witch turned them into voracious wraiths known as Fallen Fauna. Tad relates this lore to another small creature and then approaches Sophos the old turtle to help with understanding details about the star wishes. However, the turtle viciously reviles the young frog for being one of the mud dwellers—frogs and salamanders—who are the villains of the story and allies of the Marsh Witch. Soon after, when a star seems to fall into the Milky Way Marsh, a sword-wielding, bright-haired person comes to Tad’s rescue. Tad believes this to be Stello, the Star King, and pledges to help Stello find a way to get back to space. Davault’s characters have a plump, big-eyed, punchy energy, and her angular panels in pleasing colors keep the complex narrative zipping along. Humanoid characters have skin colors ranging from dark brown to eggshell. Unlikely and unexpected heroes and cosmic royalty in disguise underscore the lively quest, while intriguing reversals serve to emphasize Tad’s emotional growth.

A lively hero’s journey, not least for a frog. (additional art) (Graphic fantasy. 8-12)

Pub Date: July 5, 2022

ISBN: 978-0-593-30365-8

Page Count: 240

Publisher: Random House Graphic

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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  • New York Times Bestseller

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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