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BUT MOM, EVERYBODY ELSE DOES

Name: BUT MOM, EVERYBODY ELSE DOES
Author: Kay Winters
ISBN: 0-525-46903-6

by Kay Winters & illustrated by Doug Cushman ‧ RELEASE DATE: Sept. 1, 2002

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In order to convince her mother that her acts and desires are not only legitimate but also universal, a young girl paints humorous and exaggerated pictures to prove her point. When her mother comes into her bedroom and eyes the disaster area, the young girl says, “But Mom, everybody has a messy room,” picturing in her mind (and a large bubble on the page) the various toxic waste sites that are her friends’ rooms and much more lethal than her small clutter. And everyone gets a bigger allowance as images dance in her head of armored cars dropping off great sacks of moola to her friends. And absolutely everyone failed that test at school. She fancies a news reporter delivering the sound bite, “The world was stunned by the news that every child in the universe failed the test . . . ” So it goes through nobody walking to school and everybody sleeping with the dog, nobody has to practice, and everybody can paint better than she can. Cushman’s (What Teachers Can’t Do, p. 814, etc.) illustrations never push too hard for effect and so give credence to the girl’s outrageous conjectures, which serve as bright hailings to a vivid imagination. (Picture book. 4-8)

Pub Date: Sept. 1, 2002

ISBN: 0-525-46903-6

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

Categories:

CHILDREN'S FAMILY

- BOOK REVIEW
DID YOU HEAR WHAT I HEARD?
by Kay Winters ; illustrated by Patrice Barton

- BOOK REVIEW
VOICES FROM THE UNDERGROUND RAILROAD
by Kay Winters ; illustrated by Larry Day

- BOOK REVIEW
VOICES FROM THE OREGON TRAIL
by Kay Winters ; illustrated by Larry Day

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A THOUSAND YEARS

by Christina Perri ; illustrated by Joy Hwang Ruiz ‧ RELEASE DATE: April 1, 2025

A sweet notion that falls flat.

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A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

Categories:

CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

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BECAUSE YOUR DADDY LOVES YOU

by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005

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Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)