Sincere and serene, with masterful, atmospheric illustrations.
Three anthropomorphic squirrel siblings explore the diminishingly snowy landscape of their forest home in this picture book.
First published in Japan in 1985, author/illustrator Iwamura’s quiet story has a timeless and ethereal feel. While the story is cutely ingenuous, the main appeal is the masterful watercolor illustrations, which are all full-bleed, double-page spreads rendered in a soft gray-green palette for the woods, while the squirrel protagonists, dressed in old-fashioned clothing (think Beatrix Potter), are rendered in complementary soft oranges and browns. The landscapes are gently layered; the pale branches of trees overlap and become darker as the perspective moves closer to viewers; the overall effect is one of deep, magical atmosphere. Three young squirrel siblings, Mack, Molly, and Mick, go out exploring in the melting snow and are curious about where the snow goes. They see a floating log and hop on, drifting (now anxiously) to a large pond, where they are rescued by some mallards, who tell them that the melted snow “goes to a river and then to the sea…it’s a time of rebirth.” The rhyming text, translated from the Japanese into German by Rose Pflock and then into English by Wilson, has a few awkward moments when it reaches for the rhyme as well as some disjointed areas. Still, it mostly succeeds at creating a lilting tone while getting across the deeper theme of the rebirth of spring, which is presented without fanfare or sanctimony.
Sincere and serene, with masterful, atmospheric illustrations. (Picture book. 3-7)Pub Date: March 5, 2019
ISBN: 978-0-7358-4345-5
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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