Loretta’s goal to be the latest in a long line of perfect Pinky Scouts is foiled by her inability to toast a marshmallow to golden perfection. Other outrageous tasks, like saving the world, bench-pressing 375, and building a snowman atop Mt. Everest are no problem for the plucky scout, but she cringes in shame before a portrait of her grandmother, “The most perfect Pinky ever.” Gran’s portrait, speaking in a gratingly perky manner, declares to the distraught girl, “Well, girlfriend, stinking is part of life,” and confesses that her perfectly knotted bowtie is a clip-on! Not only that, each of Loretta’s ostensibly perfect ancestors all had fatal flaws themselves. Loretta is finally able to sleep well, stating that she likes her marshmallows raw anyway. The message isn’t new, and the snarky smirk on Loretta’s face is perfectly annoying, but Graves (Uncle Blubbafink’s Seriously Ridiculous Stories, 2001, etc.) adds some levity by exaggerating the quest for merit badges among Scouts to the level of caricature. The illustrations portray the perfect ladies, complete with smirks of their own, and Loretta herself with ludicrously large heads and absurdly small bodies, hands, and feet, emphasizing Loretta’s firmly styled braids and upswept bangs and her determined facial expressions as she furiously bench presses and scorches marshmallows. The irritatingly hearty tone is reminiscent of the overly enthusiastic coaches, camp counselors, scout leaders, and peers everyone can recall. Ace Scout Loretta isn’t particularly appealing, but perhaps she’s not meant to be—perfectionism is not a desirable trait, and children may recognize a bit of Loretta in themselves before it gets out of hand. (Picture book. 4-8)
Pub Date: Sept. 1, 2002
ISBN: 0-439-36831-6
Page Count: 40
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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