This celebration of renewable power is all about the manic pixie wind girl.
Who’s gusting around town and cheerfully blowing things hither and yon?
Poul’s “curious about the wild blue girl.” Poul, a redheaded white boy, stands holding a pinwheel while another kid disappears off the page nearby—someone with streaming blue hair and blue pants with blue suspenders. In fact, everything about her is blue, including her big blue grin and the blue rosiness of her cheeks (her skin is the white of the background paper). She’s the same size as Poul, but her strength and influence aren’t: Everywhere she goes, hats and flowers blow away, hair gusts sideways, and no pile of leaves is safe. The townspeople, a multiracial group, consider her “a nuisance,” but Poul adores her and sets out researching her powers, “study[ing] and measure[ing], test[ing] and buil[ding].” He erects a windmill—for she is, of course, the wind. Negley’s watercolor pencils and cut-paper collage (of solid paper, patterned paper, and newsprint) create a breezy, buoyant setting with ample air and an exuberant feeling even during the (mild) chaos. The text never identifies the wild blue girl as the wind, but readers will get it. However, what they won’t understand, unless they already know about windmills, is the turbine Poul builds. The art shows turbines, but neither art nor text explains a thing about them (until the author’s note introduces 19th-century Danish scientist/inventor Poul la Cour).
This celebration of renewable power is all about the manic pixie wind girl. (historical photograph) (Picture book. 3-8)Pub Date: April 14, 2020
ISBN: 978-0-06-284680-8
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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