by Keith O'Brien ‧ RELEASE DATE: Aug. 7, 2018
A vivid, suspenseful story of women determined to defy gravity—and men—to fulfill their lofty dreams.
In the decades between the world wars, women took to the skies as daring, record-breaking fliers.
Drawing on abundant sources, including letters, published and unpublished memoirs, newspaper reports, and archival material from more than a dozen museums and historical collections, O’Brien (Outside Short: Big Dreams, Hard Times, and One County’s Quest for Basketball Greatness, 2013) has fashioned a brisk, spirited history of early aviation focused on 5 irrepressible women. Amelia Earhart was the most famous among them, but the others were no less passionate and courageous: Louise McPhetridge Thaden, tall, stately, and, even as a child, “a follower of boyish pursuits,” according to her mother; Ruth Nichols, who chafed at a future as the socialite daughter of wealthy parents; Ruth Elder, determined to be the first woman to fly across the Atlantic; and Florence Klingensmith, who trained as a mechanic so she could learn planes inside and out but whose first aviation job was as a stunt girl, standing on a wing in her bathing suit. In 1928, when women managed to get jobs in other male dominated fields, fewer than 12 had a pilot’s license, and those ambitious for prizes and recognition faced entrenched sexism from the men who ran air races, backed fliers, and financed the purchase of planes. They decided to organize: “For our own protection,” one of them said, “we must learn to think for ourselves, and do as much work as possible on our planes.” Although sometimes rivals in the air, they forged strong friendships and offered one another unabated encouragement. O’Brien vividly recounts the dangers of early flight: In shockingly rickety planes, pilots sat in open cockpits, often blinded by ice pellets or engine smoke; instruments were unreliable, if they worked at all; sudden changes in weather could be life threatening. Fliers regularly emerged from their planes covered in dust and grease. Crashes were common, with planes bursting into flames; but risking injury and even death failed to dampen the women’s passion to fly.
A vivid, suspenseful story of women determined to defy gravity—and men—to fulfill their lofty dreams.Pub Date: Aug. 7, 2018
ISBN: 978-1-328-87664-5
Page Count: 368
Publisher: Eamon Dolan/Houghton Mifflin Harcourt
Review Posted Online: May 5, 2018
Kirkus Reviews Issue: June 1, 2018
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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