by Keith Stern ‧ RELEASE DATE: Dec. 29, 2024
A remarkable queer history resource offering plenty of engaging, unexpected stories.
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Stern presents an extensive reference work compiling short biographies of notable queer figures throughout time.
“As you turn the pages,” writes actor Ian McKellen in this queer encyclopedia’s foreword, “you may gasp ‘I never knew!’ and ‘Surely not’ and ‘Listen to this!’” The author’s compilation (which runs to more than 700 pages) of short biographies certainly offers plenty of surprises, as McKellen suggests. The sheer number of names that Stern has amassed is already an impressive feat, but the book’s most intriguing aspect for readers curious about queer history will be the specific angle that the author brings to each short description. In every entry, he strives to bring out how the contours of these figures’ private lives shaped their public work. This new 2025 edition represents the 32nd anniversary of Stern’s first publication, which was made available on diskette and later on CD-ROM in 1993. The current update covers more than 5000 years of history while staying relevant to contemporary cultural discourse by including more trans figures omitted from previous editions. Organized alphabetically, with lengths ranging from short paragraphs to a few pages, Stern’s profiles focus on reporting basic facts. Nearly every entry includes a source for further reading, providing invaluable jumping-off points for students or anyone researching queer literature. Thumbing through the pages, famous names perhaps not immediately associated with queer culture, like actress Gillian Anderson (who has publicly confirmed her bisexuality) or the 19th-century Sioux leader Sitting Bull (one of his wives was a Two-Spirit man), jump off the page. Throughout the economical bios of hundreds of artists, politicians, choreographers, journalists, film producers, and so on that the author has researched, fascinating narratives of love, discrimination, and resistance come through in his brief descriptions. Stern’s work is first and foremost a research document, but readers may find themselves reading this encyclopedia as if it were an epic novel.
A remarkable queer history resource offering plenty of engaging, unexpected stories.Pub Date: Dec. 29, 2024
ISBN: 9798305273526
Page Count: 527
Publisher: N/A
Review Posted Online: April 14, 2025
Kirkus Reviews Issue: June 1, 2025
Review Program: Kirkus Indie
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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