Enjoyable for reading aloud or sharing around a campfire.
Native American and First Nations writers and artists introduce a comics anthology of diverse Indigenous lore passed down through generations.
Representing eight tribes, each offering is this collection is a reimagining of a traditional Indigenous tale. Readers are led on a wild journey through various mythologies, including the Métis narrative of a young boy trapped in the body of a rougarou (werewolf); a Chickasaw pourquoi story featuring an anthropomorphic rabbit trickster; the legend of the Octopus Woman from the S’Kallam tribe; and an Ojibwe story about a girl who encounters a half-lynx, half-dragon underwater being called Mishipeshu while searching for clean water for her people. Some stories are humorous, such as the Navajo-sourced “Into the Darkness,” while others dip into the mystery genre, like “The Woman in the Woods” from the Taino oral tradition. Because of the digestible graphic format, this would be a good introductory text for readers unfamiliar with Native American folklore and culture; meanwhile, Indigenous readers may find the stories from tribes other than their own pleasingly familiar. The black-and-white artwork by multiple artists is enhanced by panels of varying shapes and layouts. The stories are set in both contemporary and historical periods, and some feature two-spirit characters. After reading these diverse stories, young readers might be inspired to create a folklore retelling of their own. Characters are diverse in race, skin tone, age, and gender. (This book was reviewed digitally.)
Enjoyable for reading aloud or sharing around a campfire. (Graphic fiction. 8-13)Pub Date: April 5, 2022
ISBN: 978-1-945820-97-7
Page Count: 120
Publisher: Iron Circus Comics
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
An entertaining take on family values, Wimpy Kid style.
A summer vacation turns out to be anything but relaxing for Greg and a teeming horde of Heffleys.
Gramma declines the offer of a grand birthday celebration, saying that “what would make her REALLY happy is if everyone else went to Ruttyneck Island”—though she prepares individual packs of her legendary meatballs. (“You knew exactly how much Gramma likes you by how many meatballs you got.”) A gaggle of Heffley relatives and a dog stuff themselves into a small beach house, where overcrowding, personality conflicts, and simmering resentments become just some of the ingredients in a rolling boil of sitcom-style catastrophes, not to mention questionable decisions ranging from leaving the kids to make dinner unsupervised to labeling a cooler “HUMAN ORGANS” to keep random passersby from helping themselves. As usual, Greg supplies the setups in poker-faced journal entries interspersed with black-and-white drawings of slouched figures bearing frowny expressions of dismay or annoyance to cue the laffs. Gramma, it eventually turns out, not only (unsurprisingly) has plans of her own, but is also keeping a shocking secret about those meatballs. To go with the knee-slapping set pieces, Kinney slips in a tasty bit of family lore about how Greg’s parents met, plus droll takes on such low-hanging comedy fruit as restaurant manners, viciously competitive board games, and social media influencers (Greg being one, albeit with zero followers, and his Aunt Veronica’s little dog being another, with 3.8 million).
An entertaining take on family values, Wimpy Kid style. (Graphic/fiction hybrid. 8-12)Pub Date: Oct. 22, 2024
ISBN: 9781419766954
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Oct. 22, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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