Enjoyable for reading aloud or sharing around a campfire.
Native American and First Nations writers and artists introduce a comics anthology of diverse Indigenous lore passed down through generations.
Representing eight tribes, each offering is this collection is a reimagining of a traditional Indigenous tale. Readers are led on a wild journey through various mythologies, including the Métis narrative of a young boy trapped in the body of a rougarou (werewolf); a Chickasaw pourquoi story featuring an anthropomorphic rabbit trickster; the legend of the Octopus Woman from the S’Kallam tribe; and an Ojibwe story about a girl who encounters a half-lynx, half-dragon underwater being called Mishipeshu while searching for clean water for her people. Some stories are humorous, such as the Navajo-sourced “Into the Darkness,” while others dip into the mystery genre, like “The Woman in the Woods” from the Taino oral tradition. Because of the digestible graphic format, this would be a good introductory text for readers unfamiliar with Native American folklore and culture; meanwhile, Indigenous readers may find the stories from tribes other than their own pleasingly familiar. The black-and-white artwork by multiple artists is enhanced by panels of varying shapes and layouts. The stories are set in both contemporary and historical periods, and some feature two-spirit characters. After reading these diverse stories, young readers might be inspired to create a folklore retelling of their own. Characters are diverse in race, skin tone, age, and gender. (This book was reviewed digitally.)
Enjoyable for reading aloud or sharing around a campfire. (Graphic fiction. 8-13)Pub Date: April 5, 2022
ISBN: 978-1-945820-97-7
Page Count: 120
Publisher: Iron Circus Comics
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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