by Kelley Armstrong ‧ RELEASE DATE: Oct. 13, 2015
Action-packed suspense from beginning to end.
A weekend therapy camp becomes a living nightmare for a group of troubled teenagers when it is taken hostage by masked gunmen.
Riley Vasquez has suffered from PTSD since the parents of a young girl she was babysitting were brutally gunned down in their home while Riley hid upstairs with the child. Max, recently diagnosed with schizophrenia, is acutely aware that he cannot always trust that his subjective experience matches reality. The two become each other’s best hope for survival as the violence and chaos progressively escalate. The novel begins with a punch of adrenaline, and the pace rarely slows as Riley and Max race to unravel who is truly behind the murderous plot. As they struggle to stay alive, they also grapple with their own psychological conflicts, revealed largely from Riley’s first-person point of view and occasionally from Max’s third-person perspective. The violence in this thriller is not for the faint of heart; there is a substantial body count by the story’s end. However, the dry wit and gentle compassion exchanged between the two protagonists help to keep the tension from becoming overwhelming. Riley’s trauma and Max’s mental illness make them fragile, but the teens are not broken. In each other they find the understanding and the strength they need to survive.
Action-packed suspense from beginning to end. (Thriller. 14-18)Pub Date: Oct. 13, 2015
ISBN: 978-0-385-68475-0
Page Count: 384
Publisher: Doubleday Canada
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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