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TINK AND WENDY

A queer, introspective retelling.

A character-driven reimagining of Peter Pan.

Braiding together three narrative strands—then, now, and excerpts from Neverland: A History—this melancholy tale explores the ill-fated love of immortal fairy Tinker Bell. In the past plotline, Tink and Peter meet the Darling family in upstate New York, and both fall for Wendy, the eldest sibling. Peter ages when he’s away from Neverland, so Tink is determined to bring him back even as their lives become increasingly entwined with the Darlings’ the longer they stay. Forty years later, Tink lives alone in the Darlings’ cottage until Hope, Wendy’s granddaughter, appears. Tink opens up to Hope and shares her story of love, loss, grief, and responsibility. Lyrical prose evokes a traditional fairy-tale feeling, but this new spin, although inspired by a magical adventure story, focuses more specifically on its primary characters and their emotions. There is some worldbuilding around Neverland and references to characters from Peter Pan lore, but they mostly feel like unnecessary filler and bog down the already unhurried pace. The story succeeds as a character study of Tink: Falling for capable, mature Wendy opens her eyes to Peter’s flaws. Later, she grapples with her culpability in what went wrong while living the lonely life she feels she deserves. Often realistically sorrowful, there is hope at the end. Characters are implied White.

A queer, introspective retelling. (Fantasy. 14-18)

Pub Date: Oct. 26, 2021

ISBN: 978-1-953103-13-0

Page Count: 192

Publisher: Three Rooms Press

Review Posted Online: Aug. 15, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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