Written in a breezy style with humor and heart, the book reminds us how rewarding it can be to see a parent outside the...
Corrigan’s third book (Lift, 2010, etc.) deals with the layered relationship between mother and daughter.
The glitter refers to her father, George, her cheerleader, “almost impossible to frustrate or disappoint.” The glue, her mother, Mary, with whom she had an “adversarial but functional” relationship, held things together with her pragmatism. After college, when Corrigan decided to go on a multicountry odyssey, her father responded, “Fantastic!” Her mother: “You should be using that money to get established, get your own health insurance, not traipse all over creation.” Ironically, it was Corrigan’s travels that led her to appreciate her mother’s point of view. The author ran out of money in Australia and took a job as a live-in nanny for a widower. John Tanner hired her to look after his two children while he traveled for his job as an airline steward, but it was a dysfunctional household: There was John, who seldom smiled; Martin, the open, affectionate 5-year-old; Milly, the resentful 7-year-old; Pop, their 84-year-old grandfather; and Evan, John’s grown stepson. “If this family were a poker hand, you’d fold,” writes Corrigan. “Without that middle card, it’s an inside straight, and those almost never work out.” Aside from a friendly flirtation with Evan, the action is internal as Corrigan called upon her mother’s directives to help her provide some stability for the family. The most affecting part of the narrative is her struggle to connect emotionally with Milly and her realization that “maybe the reason my mother was so exhausted all the time wasn’t because she was doing so much but because she was feeling so much.”
Written in a breezy style with humor and heart, the book reminds us how rewarding it can be to see a parent outside the context of our own needs. It's that illumination that allows Corrigan to turn what starts as a complaint about her mother into a big thank you.Pub Date: Feb. 11, 2013
ISBN: 978-0-345-53283-1
Page Count: 240
Publisher: Ballantine
Review Posted Online: Dec. 13, 2013
Kirkus Reviews Issue: Jan. 1, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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