by Kelly Corrigan ; illustrated by Stacy Ebert ‧ RELEASE DATE: April 6, 2021
Less Oh, the Places You’ll Go and more “Oh, the people you will know.”
Cultivate interest not simply in the world, but also in the people who inhabit it.
Behind the facade of yet another picture book to hand to graduates lies a title with grander ambitions. A kid scooters off into the world to text that relates the wonders to come. Using the letter B (for no apparent reason) as a touchstone, the text catalogs everything from bobsledding to boredom. This is all well and good, but the true treasures come when one realizes, “There’s more to everyone than you think.” Readers are encouraged not merely to look and draw assumptions, but to ask people questions to learn more. Characters introduced early appear later with some context. A bicycling ballerina “misses her grandpa Benny,” and “the bully was bullied” (a sign held by a disembodied hand reads, “That’s how he learned to do it”). Even the endpapers get into the act, featuring balloons that sport questions like “What makes someone smart?” and “What’s the best gift you ever got?” This emphasis on humanity separates this title from books that offer empty aphorisms about getting through life. Meanwhile, the cheery art displays a Seussian sensibility but populates its hopeful world with lots of different kinds of people. The brown-skinned protagonist appears to be biracial, with a White-presenting mom and darker-brown-skinned dad who bid their offspring farewell on the first page. (This book was reviewed digitally with 10.3-by-20.6-inch double-page spreads viewed at 26% of actual size.)
Less Oh, the Places You’ll Go and more “Oh, the people you will know.” (Picture books. 4-18)Pub Date: April 6, 2021
ISBN: 978-0-593-20606-5
Page Count: 44
Publisher: Flamingo Books
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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