A day in the life of a distractible lad, illustrated with almost magical brightness by the reigning Ezra Jack Keats New Illustrator Award–winner. Cunnane invites readers to place themselves at the center of her warm tale of a boy who, sent out to mind his Grandfather’s cows, instead turns aside to enjoy a hot chepati from the proprietor of the local tea shop, hares off after a passing monkey, visits the kindly village chief, savors a drink from Grandmother and a sweet insect offered by a neighbor, then kicks a rag ball with a friend until the sun begins to sink. Guiltily recollecting his duty, the boy hurries toward the fields—only to meet his dignified Grandfather quietly bringing the cows in for the night. Smiling brown figures dressed in a mix of modern and traditional clothing fill the foregrounds in Juan’s luminous rural scenes, echoing the poetic text’s happy tone. Drawing on personal experiences, Cunnane opens with an acknowledgement of Kenya’s distinctive tapestry of languages and customs, but then goes on to show qualities in the character, community and play of one particular child of that land that mirror those of children everywhere. A rare excursion, glowing with love and laughter. (glossary) (Picture book. 6-8)
Pub Date: Jan. 1, 2006
ISBN: 0-689-86194-X
Page Count: 40
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2005
BOOK REVIEW
BOOK REVIEW
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)
Pub Date: Nov. 1, 1997
ISBN: 0-590-25506-1
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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