Moralizing bows out in favor of a clever celebration of how our experiences affect our selves.
Convention is upended in this striking tale of individuality and change.
“Black. Orange. This. Not that.” From the day they are hatched, young caterpillars are informed by their butterfly guardians how to think and how to act. All obey except for Charley. While the others eat ceaselessly, Charley looks up into the canopy and gazes at the trees and clouds and stars. While the others dream of becoming butterflies, Charley imagines what it would be like to be a deer or a waterfall. And as the butterflies tell their charges what to think, Charley finds new things to discover. At last, the day comes for all caterpillars to form their chrysalises, and Charley worries. But while inside, the wayward caterpillar imagines far more than just orange and black, so that when at last the new butterflies emerge, the protagonist’s wings reflect “everything Charley had ever loved.” Storytelling that could have come off as heavy-handed is instead treated here with an elegant touch. Wise produces lush, lovely spreads, not only of the standard monarch colors, but of a world far beyond their perceived limitations. The reveal at the end is evocative of that final spread in Eric Carle’s The Very Hungry Caterpillar (1969) but with an entirely different thought process at work. (This book was reviewed digitally.)
Moralizing bows out in favor of a clever celebration of how our experiences affect our selves. (Picture book. 3-6)Pub Date: May 2, 2023
ISBN: 978-0-593-42904-4
Page Count: 40
Publisher: Knopf
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
A steady paean to time’s passing and the pleasures found along the way.
A front-seat view of a school bus’s long and varied life.
Deftly invoking the anthropomorphized objects in books of old (as in the works of Virginia Lee Burton), Long introduces readers to a small town and the yellow bus that serves it. Using charcoal and graphite, the author/artist portrays a mostly black-and-white world; he relies on colorful acrylics to depict those who enter the bus (who's described with female pronouns), including children ferried to school. Time goes on, and the bus is repurposed to take the elderly around town. Later, she’s abandoned near an overpass but finds a new role sheltering unhoused people. Finally, she’s taken to a farm, where she becomes a playground for goats. With each iteration, we hear the sounds of her passengers, human and otherwise, and the repeated phrase “And they filled her with joy.” At long last a damming project leaves her underwater, but fish find a home in the bus and make her happy. A final view of the town displays a single wavery point of yellow visible beneath the water. Backmatter explains both Long’s inspiration and the model town he made as a visual aid. Though this is a tale of decay over time, the book’s gentle narration, fun sound effects, and empathy grant the old vehicle dignity in her deconstruction. Characters are diverse.
A steady paean to time’s passing and the pleasures found along the way. (Picture book. 3-6)Pub Date: June 25, 2024
ISBN: 9781250903136
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
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