How did the dinosaurs get ready for bed? “They bathed and brushed and fluffed their ferns / around the dino site . . . / then laid their horns and spikes to rest / and kissed their eggs good night.” Plainly modeled on the toy dinosaurs that are part of so many young readers’ kit bags, huge, toothy figures in jellybean colors settle down, many clutching plushies, all about a prehistoric landscape. And were dinosaurs quiet sleepers? Not so—in fact, the cumulative effect of all those thunderous “Proto-grunts, / Diplo-hoots, / Allo-snorts / and Tyranno-toots” drove amphibians out of the water, ignited volcanoes and ultimately caused the Earth itself to crack open, sending the modern continents adrift. Along with proposing a novel theory of plate tectonics, this poke at the past will produce from children the same sort of Tyranno-toots as Jane Yolen’s How Do Dinosaurs Say Good Night? (2000). (Picture book. 6-8)
Pub Date: April 1, 2005
ISBN: 0-06-051577-5
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
Sturdy split pages allow readers to create their own inventive combinations from among a handful of prehistoric critters. Hard on the heels of Flip-O-Saurus (2010) drops this companion gallery, printed on durable boards and offering opportunities to mix and match body thirds of eight prehistoric mammals, plus a fish and a bird, to create such portmanteau creatures as a “Gas-Lo-Therium,” or a “Mega-Tor-Don.” The “Mam-Nyc-Nia” places the head of a mammoth next to the wings and torso of an Icaronycteris (prehistoric bat) and the hind legs of a Macrauchenia (a llamalike creature with a short trunk), to amusing effect. Drehsen adds first-person captions on the versos, which will also mix and match to produce chuckles: “Do you like my nose? It’s actually a short trunk…” “I may remind you of an ostrich, because my wings aren’t built for flying…” “My tail looks like a dolphin’s.” With but ten layers to flip, young paleontologists will run through most of the permutations in just a few minutes, but Ball’s precisely detailed ink-and-watercolor portraits of each animal formally posed against plain cream colored backdrops may provide a slightly more enduring draw. A silhouette key on the front pastedown includes a pronunciation guide and indicates scale. Overall, a pleasing complement to more substantive treatments. (Novelty nonfiction. 6-8)
Pub Date: May 1, 2011
ISBN: 978-0-7892-1099-9
Page Count: 22
Publisher: Abbeville Kids
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
Eye candy and intellectual nourishment alike for newly independent readers.
A classic informational early reader gets a substantial, long-overdue update.
Kirkus criticized the 1985 edition for conveying outdated and misleading information—chivalrously leaving the stodgy colored-pencil illustrations unmentioned. All of that has been addressed here. Revised by the late Milton’s brother Kent, the text highlights or at least names over a dozen dinos, from the diminutive Citipati to the humongous Argentinosaurus, “as big as a house, longer than three buses, and as heavy as thirteen elephants!” Prehistoric contemporaries that were not dinosaurs also get nods, as do modern paleontology, the great extinction and the continued survival of birds: “So the dinosaur days go on.” Tempesta’s cover painting of a brightly patterned Triceratops being attacked by a T. Rex with a feathery spinal fringe opens a suite of equally dramatic group and single portraits. They feature mottled monsters viewed from low angles to accentuate their massiveness and reflect current thinking about feathers and coloration.
Eye candy and intellectual nourishment alike for newly independent readers. (Informational early reader. 6-8)Pub Date: July 22, 2014
ISBN: 978-0-385-37923-6
Page Count: 48
Publisher: Random House
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
BOOK REVIEW
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