This story makes “Virtue is its own reward” seem original and kind of a blast.
This may not be the best picture book for Billy Joel or John Milton.
Milton was accused of belonging to the devil’s party because Satan gets all the best scenes in Paradise Lost. Joel has famously sung that “Only the Good Die Young.” But the goody-two-shoes yeti in this story is much more fun than all the other monsters. Yeti “crochets sweaters for penguins,” the text informs readers. He cheers on newborn sea turtles as they’re scuttling toward the ocean. He tells knock-knock jokes to the trees (“Yew who?”). The nastier monsters kick sand and TP the babysitter, which isn’t terribly original. Even when Yeti brings them warm banana bread, they’re inclined to stuff it up their nostrils. OK, that does look fun, if not very tasty. Yeti’s community service is so entertaining that the jokes in the text feel almost redundant, which is good, because they’re very low-key. When Yeti is described as “abominable,” the reference is so subtle that some readers may not get it till their second or third trip through the book. The pictures are also low-key, in the sense that the monsters come in pastel colors. They look almost dashed-off, but the character designs are imaginative enough that one monster has 16 ears. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 80.8% of actual size.)
This story makes “Virtue is its own reward” seem original and kind of a blast. (Picture book. 4-8)Pub Date: May 18, 2021
ISBN: 978-0-593-11407-0
Page Count: 40
Publisher: Viking
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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