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THE RELUCTANT COPILOT

An admirable addition to World War II fiction that highlights the contributions of heavy-bombing crews.

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This incisive World War II novel skillfully brings readers along on nerve-wracking bombing runs in German-held territory.

More importantly, Durham’s (Wade’s War, 2013, etc.) fourth WWII–based book introduces the men behind such daring raids—and the war’s effect on them. Based in Bassingbourn, England, the B-17 crews in the 91st Bomb Group of the 8th Air Force voluntarily fly into unknown, frequently terrifying situations to deliver their payloads and then pray they make it back to base. Lt. Bob Foster is the pilot of one such 10-member crew, until he suddenly isn’t any longer. That’s because, in a public-relations maneuver, Lt. Harmon Roberts III, son of a key U.S. senator, is appointed the pilot of Foster’s crew, with Foster reluctantly becoming the co-pilot. Naturally, Foster isn’t too thrilled with this development: “He’d stolen my crew, my airplane and now, my medal….I was getting the short end of the stick on this deal and I was sore about it.” Eventually, Foster comes around in his opinion of Roberts, which is the key to the narrative of this novel, as the pair will have to work together well to survive in the daunting months and years that follow. In his author’s note, Durham explains his motivation for writing: “I…have worked to present an accurate if fictional look at the conditions in which the brave crews flew and fought.” He’s met his goal; the research fueled by Durham’s passion shines through in the terrifying battle scenes that he brings alive for readers, successfully capturing the overwhelming attacks such bombers faced. Other than Foster and Roberts, Durham’s characters aren’t as well developed, but that doesn’t detract much from his story. The deliberate pacing of the novel’s action and the development of the friendship between the two main characters also sustain this enjoyable military thriller.

An admirable addition to World War II fiction that highlights the contributions of heavy-bombing crews.

Pub Date: Sept. 30, 2014

ISBN: 978-1502524492

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: Sept. 26, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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