Baked goods and good deeds go hand in hand.
Fiona is nervous about going to live with her great-aunt, great-uncle, and cousin once removed in the town of Cold Hope. It’s for the best, though: Her mom can get the in-patient treatment she needs for her addiction, and the protagonist is inspired by her fairy godperson, the very human social worker Nia Davis, to make the best of it. And it turns out there’s a lot to fix; the family bakery is headed toward bankruptcy, her older relatives all feel stifled creatively, and there’s a feud between two former best friends. With Pollyanna-like chipperness, Fiona manages to solve all of these problems while learning how to speak her truth, not take responsibility for others’ needs, and use spelled-out therapeutic strategies to self-soothe. Two major supporting characters who are cued as Black don’t seem to exist much beyond their roles in helping Fiona (who is White), but this story also takes a refreshingly cleareyed and sympathetic look at addiction and interpersonal conflict. It skirts the line of being preachy, but the boppy and lighthearted tone keeps it from veering into overly sentimental. Gentle and expressive black-and-white illustrations add emotion and texture to the novel.
Sweet but not cloying.
(map) (Fiction. 10-14)