by Kelly Light ; illustrated by Kelly Light ‧ RELEASE DATE: Jan. 2, 2018
A sweet sibling outing, in both senses of the word.
Art-loving Louise and her little brother, Art, cook up creative treats for the first-grade bake sale in this early-reader offering.
Throughout the book, which features a first-person text with controlled vocabulary, an unmentioned black cat accompanies bespectacled Louise and her robot-costumed brother, adding visual interest to the pictures. The opening spreads depict Louise with Art as she expresses her love for art of all kinds. “I see art in everything!” she exclaims while reading a baking cookbook. The next page depicts a notice on the refrigerator for contributions to a bake sale to fund a field trip. The children, who are both depicted as white with light skin, set out to bake and decorate “a rainbow of cupcakes.” They start with primary colors for the frosting and then mix them together for more options, but the process goes awry when Art combines too many colors and they end up with big bowls of gray frosting. “At least they taste good, even if they don’t look like art,” Louise generously states. Her eureka moment arrives when she repeats the phrase “Look like Art,” and a first-person visual perspective shows her comparing the gray-frosted cupcakes with the gray-helmeted Art. Inspired, Louise adds confectionary embellishments to the cupcakes, which make them look like little robots, too, and the “ROBO CAKES” are a hit at the bake sale.
A sweet sibling outing, in both senses of the word. (Early reader. 5-7)Pub Date: Jan. 2, 2018
ISBN: 978-0-06-236366-4
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Sept. 30, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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by David Milgrim & illustrated by David Milgrim ‧ RELEASE DATE: March 1, 2003
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by David Milgrim ; illustrated by David Milgrim
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by Antoinette Portis ; illustrated by Antoinette Portis ‧ RELEASE DATE: Dec. 1, 2006
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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