This book has many enchantments and moving moments, but it would have been better, and more magical, if it were shorter.
A master of short fantasy offers her long-anticipated first novel.
Link has a genius for combining the mundane with the uncanny, diving into the dark currents where dreams grow and bringing up magic-encrusted jetsam, pearlescent ideas that coil and shock. The story takes place in a coastal New England town with the beautifully ambiguous, typically Link name of Lovesend. (Love’s end? Love send?) There, four teenagers—sisters Susannah and Laura, their bandmate Daniel, and Susannah’s friend Mo—are caught up in a struggle with deities who control access to death. As the book opens, Laura, Daniel, and Mo have been dead for months; in her grief, Susannah smashes her sister’s guitar. Soon, the teens, along with a mysterious companion, return from the dead, reanimated by their high school music teacher, Mr. Anabin. Another supernatural person, Bogomil, appears, taking various human and animal forms (a wolf, a rabbit). He writes a message on the music classroom blackboard with his fingernail: “2 RETURN 2 REMAIN.” Mr. Anabin gives the revenants a series of tasks, which they believe will allow two of them to stay alive while the other two, they presume, will die again. As they perform the tasks, readers get to know their families and personal struggles: Laura and Susannah’s father left the family when they were little, and the two contend with sibling rivalry and family roles (Laura’s the good girl, Susannah’s the rebel); Daniel, who has a compulsion to be liked, is a loving, caretaking big brother to a gaggle of mixed-race siblings; Mo, a gay orphan and one of the few Black kids in town, has lost his beloved grandmother while he was dead. Meanwhile, increasingly dramatic magical events transform their hometown—the weather goes hot and cold, carousel horses turn into wolves, the goddess of the moon erects a temple in the middle of the bay—as the characters rush endlessly back and forth, arriving at last at an almost mechanically tidy ending. Although all the fabulous Link elements are here, at more than 600 pages, the story is unwieldy and overexplained.
This book has many enchantments and moving moments, but it would have been better, and more magical, if it were shorter.Pub Date: Feb. 13, 2024
ISBN: 9780812996586
Page Count: 640
Publisher: Random House
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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