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PRIVATE LABEL

Overall, a compelling and genuine coming-of-age story.

Chinese American teens contend with the unpredictability of life.

Seventeen-year-old Serene Li has always admired her mother for moving from Beijing to the U.S. by herself while pregnant and achieving success as a single parent and trailblazing fashion designer. When her mother is diagnosed with stage 3 pancreatic cancer, Serene suddenly faces a future alone—unless she can find her father. Serene’s classmate Lian Chen also feels desperate. At school, he endures microaggressions from students and teachers; at home, he faces intense parental pressure to test into a competitive engineering program at MIT. Lian’s true passion is stand-up, but he knows his parents would never allow him to pursue such an uncertain career. When his college admissions counselor advises him to demonstrate leadership skills, Lian starts a Chinese club at school, counting on his classmates’ apathy to leave him with time and space to practice his comedy. He doesn’t anticipate popular, pretty Serene showing up to learn Chinese—or their gradual bonding over shared experiences, including being the only Asian American kids in their affluent, White Southern California town. The novel’s strength lies in its thoughtful, nuanced depictions of the teens’ complicated relationships with their immigrant parents, which deftly incorporates overarching themes of prejudice, assimilation, and heritage-seeking. Unfortunately, clunky wording in romantic scenes and a rushed, too-tidy conclusion that belies the book’s skill in portraying life’s complexity, unfairness, and unpredictability detract from the otherwise emotionally immersive story.

Overall, a compelling and genuine coming-of-age story. (Fiction. 14-18)

Pub Date: May 31, 2022

ISBN: 978-0-06-294110-7

Page Count: 416

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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