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SUMMER

A SOLSTICE STORY

From the Solstice series

A sumptuous summer celebration.

In Gross and Liwska’s follow-up to Winter (2023), forest animals, led by Owl, prepare for the summer solstice.

The arrival of the longest day of the year is special enough that even Owl won’t sleep through it. Rallying the other animals, Owl asks them to bring gifts for the youngest in the forest “to help make their futures bright!” Squirrel brings sprouts so that they’ll always have plenty to eat, while Sparrow puts down feathers so they’ll have soft landings. Others bring wishes for exciting adventures, supportive friends, and the ability to see beauty everywhere. At last, on a large, bright foldout page, Gross announces, “THE SUMMER SEASON HAS BEGUN!” The text is full of rich vocabulary (coaxing, brambles, savor) that adds complexity. At times, the stanzas are wordy, and the inconsistent use of rhyme can make for a clumsy read-aloud. Overall, though, the lovely language is worth the occasional stumble. The illustrations have a soft wash that makes the animals appear fuzzy and touchable. Set against the blue sky, the wispy grasses and vibrant wildflowers look realistic and befitting of the featured season. The story conveys both the joy of seeing summer’s arrival and of preparing the youngest among us for their day in the sun.

A sumptuous summer celebration. (Picture book. 4-6)

Pub Date: May 7, 2024

ISBN: 9781665929608

Page Count: 36

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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VALENTINE'S DAY, HERE I COME!

From the Here I Come! series

Effectively captures the excitement surrounding Valentine’s Day.

A collection of poems follows a group of elementary school students as they prepare for and celebrate Valentine’s Day.

One student starts the day by carefully choosing clothing in pink, purple, or red, while a family kicks off the morning with a breakfast of red, heart-shaped pancakes. At school, children create valentines until party time finally arrives with lots of yummy treats. The students give valentines to their school friends, of course, but we also see one child making a “special delivery” to a pet, a stuffed animal, family members, and even the crossing guard. The poems also extend the Valentine’s celebration to the community park, where other couples—some older, one that appears to be same-sex—are struck by cupid’s “magical love arrows.” Note the child running away: “Blech!” Not everyone wants to “end up in love!!!” But the spread devoted to Valentine’s jokes will please readers more interested in humor than in romance and inspire children to create their own jokes. To make the celebration complete, the last pages of the book contain stickers and a double-sided “BEE MINE!” valentine that readers can, with adult help, cut out. Cheery and kid-friendly, the poems can be read independently or from cover to cover as a full story. The cartoonish illustrations include lots of hearts and emphasize the growing Valentine’s Day excitement, depicting a diverse classroom that includes students who use wheelchairs. (This book was reviewed digitally.)

Effectively captures the excitement surrounding Valentine’s Day. (Picture-book poetry. 4-6)

Pub Date: Dec. 27, 2022

ISBN: 978-0-593-38717-7

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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