by Kelsey E. Gross ; illustrated by Renata Liwska ‧ RELEASE DATE: May 7, 2024
A sumptuous summer celebration.
In Gross and Liwska’s follow-up to Winter (2023), forest animals, led by Owl, prepare for the summer solstice.
The arrival of the longest day of the year is special enough that even Owl won’t sleep through it. Rallying the other animals, Owl asks them to bring gifts for the youngest in the forest “to help make their futures bright!” Squirrel brings sprouts so that they’ll always have plenty to eat, while Sparrow puts down feathers so they’ll have soft landings. Others bring wishes for exciting adventures, supportive friends, and the ability to see beauty everywhere. At last, on a large, bright foldout page, Gross announces, “THE SUMMER SEASON HAS BEGUN!” The text is full of rich vocabulary (coaxing, brambles, savor) that adds complexity. At times, the stanzas are wordy, and the inconsistent use of rhyme can make for a clumsy read-aloud. Overall, though, the lovely language is worth the occasional stumble. The illustrations have a soft wash that makes the animals appear fuzzy and touchable. Set against the blue sky, the wispy grasses and vibrant wildflowers look realistic and befitting of the featured season. The story conveys both the joy of seeing summer’s arrival and of preparing the youngest among us for their day in the sun.
A sumptuous summer celebration. (Picture book. 4-6)Pub Date: May 7, 2024
ISBN: 9781665929608
Page Count: 36
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
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by Kelsey E. Gross ; illustrated by Renata Liwska
by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt & illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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