by Ken Baker & illustrated by Geoffrey Hayes ‧ RELEASE DATE: Sept. 1, 2001
Little monsters fear little girls and boys hiding in their rooms in this delightful parody of a nightly bedtime ritual. Albert’s mother has told him time and again that there are no such things as little girls and boys, but still Albert knows they are there. Little girls hide in the closet and drip ice cream on monster’s clothes before eating up the monster, and little boys hide under the bed quietly coloring, just waiting for little monsters to leave the bed so they can play piggie on their toes—before they eat them up. When calling his mother doesn’t give him any satisfaction, Albert tackles the menace himself with two unique and childlike solutions. But still he fears being eaten. In a final act of bravery, Albert settles his nighttime fears and is able to fall asleep, proud of his accomplishment. Newcomer Baker brings humor to a situation that often has children in tears and parents unable to cope. Just maybe Albert has given them some useful strategies, especially if making a rude noise seems like an acceptable solution. Hayes’s (Thump and Plunk, not reviewed, etc.) illustrations perfectly complement the text. Parents need not worry that Albert will invoke rather than allay fears—he is an adorable little monster, whose human-like emotions are plain on his face. While this is by no means the first of its kind—Jeanne Willis’s The Monster Bed (1987) is still the benchmark—it’s a great addition to the group of stories that puts monsters in the category of “things that fear you more than you fear them.” (Picture book. 3-7)
Pub Date: Sept. 1, 2001
ISBN: 0-06-028698-9
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
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by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
Awards & Accolades
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Google Rating
New York Times Bestseller
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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