A moving tribute to America’s rich and complex history.
In the filmmaker and author’s latest photo book, the triumphs and tribulations of the American spirit take the stage.
In his introduction to this remarkable collection of images, Burns shares early memories of his father, a cultural anthropologist, building a darkroom in the basement of their home in Newark, Delaware. According to the author, his father guided him to his life’s calling, perhaps unwittingly. A short time later, following his mother’s death, Burns witnessed his father weeping for the first time while watching a movie. “I understood instantly the power of film and the safe harbor it permitted him to have,” he writes. This book, he notes, “was conceived and created in the spirit that assembling photographic evidence of our collective past might help heal our divisions.” In a narrative that spans the years 1839 to 2019, Burns presents the work of various photographers one by one on a black background with a short description of the year and location the image was taken. The author follows the individual images with relevant notes, providing further detail about each image. Among the captivating photos are a self-portrait by photographer Louis Daguerre; the exposed, bloody back of an enslaved man; the first national monument, Devil’s Tower, which many Native peoples consider a “sacred place”; a plane piloted by the Wright Brothers; a group of Sioux on a reservation in North Dakota; an ominous cloud that formed at the beginning of the Dust Bowl era; a tree-lined back road in the Mississippi Delta; Ernest Hemingway working in his studio.; a soldier locked in an embrace prior to shipping out overseas; a Black man drinking from a Jim Crow–era water fountain; Jacqueline Kennedy receiving the flag following John F. Kennedy’s funeral; Coretta Scott King at the funeral of Martin Luther King Jr.; and Rosa Parks at the age of 80.
A moving tribute to America’s rich and complex history.Pub Date: Oct. 25, 2022
ISBN: 978-0-385-35301-4
Page Count: 352
Publisher: Knopf
Review Posted Online: Aug. 15, 2022
Kirkus Reviews Issue: Sept. 1, 2022
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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