This book is full of good sense and meaningful interviews, and it would be difficult to find a smarter or more satisfying...
In his second departure from quiz-show fare, Jennings (Because I Said So!: The Truth Behind the Myths, Tales, and Warnings Every Generation Passes Down to Its Kids, 2012, etc.) tracks the development of an abiding personal passion: comedy.
The author assembles a concise but thorough history of the sweeping trends in American humor that have led to our present situation, in which comedy serves as the cultural lingua franca, so central to our ways of interacting, consuming, and producing that it is taken for granted. In this groundswell of “laughterhood,” Jennings hears the rumblings of a not-so-distant time when we will reach “peak comedy,” an opinion he shares with Simpsons writer Tim Long: “I don’t think you can go that much faster than people are going now.” Jennings frets over oversaturation and whether the increasingly frenetic pace of comedy (measured in JPM, or jokes per minute) might feed into our widespread anxieties, with a worldwide web of people typing “that’s funny” but never really laughing, too caught up in getting the next joke to pause and develop deeper senses of humor and too busy searching for the laugh to deal with the tragic or the truly serious. In a more hopeful projection, the author sees Twitter exchanges making us all funnier, its circulating joke cycle forming the training wheels for quick thinking, the learnable part of wit. Jennings downplays his fame as a “professional ex-game show contestant” (the winningest champion on Jeopardy! to date, for all the Rip van Winkles out there). A self-professed comedy geek, he switches from the funnyman’s thinking guy to the thinking man’s funny guy depending on whether the comedy or the geek is uppermost. Let us hope that the author has geeked out in some other areas he’d like to share with the class.
This book is full of good sense and meaningful interviews, and it would be difficult to find a smarter or more satisfying treatment of a subject so evanescent and idiosyncratic as comedy.Pub Date: May 29, 2018
ISBN: 978-1-5011-0058-1
Page Count: 336
Publisher: Scribner
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
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BOOK REVIEW
BOOK REVIEW
PROFILES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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