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JUNIOR’S LEG

Consistently lukewarm plot and painfully tidy conclusion, but Junior’s character is strongly written, and Wells’s sense of...

A mildly interesting concoction from the author of Meely LaBauve (2000), this one featuring a down-and-out roustabout, a Mafia murder, and true love in the heart of a hard man, all of it fed through spicy regional dialect and local coloration.

As we meet Joseph “Junior” Guidry, he lies flat-out broke, drunk, and in despair after losing his leg in a Gulf of Mexico oil rig accident. He successfully sued the oil company with the help of his lawyer, Syd Shainburg, and won a $150,000 settlement, but Junior blew it on drinks, women, and cars. Now he’s waiting for something to come along that will change his situation. Through the bayou to Junior’s trailer in the Great Catahoula Swamp comes Iris Mary Parfait, who imposes herself into his life—cooking, cleaning, and slowly healing him—but promises to stay out of his “business.” The agreement doesn’t hold, and soon Iris reveals she is on the run from a bar owner with Mob connections. While tending to Rocko Marchante’s ailing mother, Iris saw the sexual terrors he inflicted on his women and was nearly subjected to them herself before she managed to injure Rocko and escape his horrific household. Just as Junior is starting to feel her pain and sharing some of his hurt with her, a “podnuh” shows up with news that Rocko has put a $100,000 bounty on Iris’s head. She’s captured, but Junior rescues her in a violent encounter that leaves Rocko and his men desperately wounded. Lawyer Shainburg shows up again, pulls some strings, does some research, and eventually brings down Rocko and the local Sheriff Ervil Geaux, leaving Junior and Iris free to marry and come to terms with their traumatic lives.

Consistently lukewarm plot and painfully tidy conclusion, but Junior’s character is strongly written, and Wells’s sense of place confers a pleasing authority to his Cajun-style prose.

Pub Date: Aug. 21, 2001

ISBN: 0-375-50526-1

Page Count: 272

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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