In the newspaper world they call it “reporting from the mahogany ridge,” where so many fine stories, social truths, and bits...
“America’s great middlebrow social elixir, and inseparable companion to the sporting and spectator life, the portal to first intoxication, the workingman’s Valium, and a leavening staple to the college experience” finds a worthy explicator of its whys and wherefores.
Wells (Logan’s Storm, 2002, etc.) likes a glass of beer, and though he’s not undiscerning, he’s no snob either. “I grew up with people who knew only three categories of bad beer: warm beer, flat beer, and, worst, no beer at all.” Wells’s mission here is not to anoint the best beer (“the appreciation of one doesn’t require me to vilify the others”), but rather to gather a sense of how beer fits into the American everyday, “to gain a view of America through the prism of the beer glass.” And while he’s at it, he might as well suss out the finest watering holes along the length of the Mississippi River. Wells doesn’t trust the homogenization of longitude, but prefers the variety of latitude. He can’t explain how the Big Three (Anheuser-Busch, Miller, and Coors) got so big, except that an ice-cold lager on a hot day can’t be beat . . . and their bosomy advertising garners admirers. But Wells will also be sampling Dogfish Head 120 Minute IPA and Blackened Voodoo as he explores the history of beer and the cultural geography of the towns that hug the great river and its tributaries. Then, with a reporter’s nose, he seeks stories: one bar features a mullet toss, another sponsors a 5-K race with a beer stop at the half point. Wells gets literary—Shakespeare figures in, as do Chaucer, Joyce, and Thoreau (“The tavern will compare favorably with the church”)—but he is happiest bellying-up with his nose to the wind.
In the newspaper world they call it “reporting from the mahogany ridge,” where so many fine stories, social truths, and bits of political wisdom are revealed.Pub Date: Oct. 6, 2004
ISBN: 0-7432-3278-X
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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