A fresh promontory from which to view the marvelous and mysterious Shakespearean sea.
Yoshino (Constitutional Law/NYU School of Law; Covering: The Hidden Assault on Our Civil Rights, 2006) argues that the Bard advanced complex notions about justice, which remain enduringly relevant and deserve to be revisited.
The narrative structure is roughly chronological (the author begins with the early Titus Andronicus and ends with The Tempest) and covers most of the major plays of the canon—The Merchant of Venice, Measure for Measure, Othello, the “Henriad” (Richard II, the two parts of Henry IV, Henry V), Macbeth, Hamlet and King Lear. Each chapter features an exegesis of the play and, usually, a look at a contemporary issue in the light of Shakespeare’s views. Throughout, Yoshino’s liberal political positions are prominent. He sees in that most sanguinary revenge play Titus, for example, a distant mirror of our mistakes in Iraq. In Portia’s hair-splitting at the end of Merchant, he sees analogies to the Clinton-Lewinsky scandal. In Othello, he finds Shakespearean help in understanding the O.J. Simpson murder trial. George W. Bush may initially have seemed like young Prince Hal, but unlike Henry V, Bush failed to win his Agincourt. Most interesting are the author’s views on Hamlet. He praises the prince’s temporizing, viewing it as an intellectual’s attempt to be certain before acting, but he condemns him for a fierce focus that ignores the deleterious consequences on others. The author also pauses occasionally to remark upon some enduring issues in Shakespeare’s biography. How did he know so much about the law? (Well, he knew a lot about everything.) Is there a Macbeth curse? (Of course not.) Yoshino also takes a contrary view of Portia (“her rhetorical skill,” he says, “should inspire misgiving”) and thinks Cordelia might have been just plain inarticulate.
A fresh promontory from which to view the marvelous and mysterious Shakespearean sea.Pub Date: April 12, 2011
ISBN: 978-0-06-176910-8
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: Jan. 11, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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