An accessible and informed guide to an always-fascinating subject, and an ideal reference for the general reader.
The latest addition to the Don’t Know Much About series (Don’t Know Much About History, 2003, etc.) is an engaging handbook on gods, goddesses and the civilizations they have inspired.
A bestselling explicator of subjects as varied as history and astrophysics, Davis is clearly the owner of a questing mind. His goal as an author is to infect readers with his own intellectual eagerness, and he succeeds admirably with this idiosyncratic tour of world mythology. Davis covers material that will probably be new to many readers—the sacred stories and pantheons of India, Japan, China, Africa, the Americas and the Pacific Islands—and he offers intriguing and up-to-date perspectives on more familiar subjects. His chapter on classical mythology, for example, isn’t just a rehash of Olympian exploits; rather, it places tales of the gods in a historical context and explains how Greek religion was created from and influenced by a diverse array of Mediterranean cultures. Davis also considers the contemporary ramifications of ancient beliefs, such as court battles over Native American relics and ongoing debates about the likelihood of a matriarchal prehistory. Davis is a playful teacher, too—one who reminds his students that they probably got their first taste of Norse myth watching Bugs Bunny sing the role of Brunhilde in “What’s Opera, Doc?” Specialists in the upper echelons of academia will no doubt find something to grumble about in Davis’s popularizing methodology, but even professors will have to concede that Davis has done his research—his annotated bibliography is excellent—and that he’s a laudably conscientious scholar.
An accessible and informed guide to an always-fascinating subject, and an ideal reference for the general reader.Pub Date: Nov. 1, 2005
ISBN: 0-06-019460-X
Page Count: 560
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2005
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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