Sheer delight.
A fanciful retelling of the story of Noah and the Ark doubles as a pourquoi tale.
This hipster Noah is pierced and goateed; his wife sports a partially shaved head and a hank of blue hair (also a noticeably pregnant belly by the end of the book, mute testimony to the ark’s raison d’être). Steven’s text is as tongue-in-cheek as Torseter’s illustrations, describing Noah’s efforts to round up all the creatures, even “bugs that most people get rid of by stomping on them.” Last to arrive to the ark is an orange mutt with a soft, black nose. Noah endlessly feeds the animals while his wife navigates. When the boat springs a leak 20 days out, a quick-thinking Noah deploys the dog’s nose as a plug, and there the loyal animal stays until landfall. Torseter fills the ark with activity, using fine, black lines and judiciously applied pastel colors to fill his nautical cross-sections with detail. A tuxedoed antelope gazes out of a porthole; a kangaroo gives a massage to a card-playing hippo; a grumpy-looking tiger regards a lollipop; an elk plays DJ while an elephant dances with a horse. Children will be just as relieved as the dog is when Noah remembers the faithful hound and plucks him from the hold for a tummy rub. “From then on, every dog in the world would have a wet nose.”
Sheer delight. (Picture book. 4-8)Pub Date: July 1, 2015
ISBN: 978-1-59270-173-5
Page Count: 40
Publisher: Enchanted Lion Books
Review Posted Online: May 11, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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