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THE LAST NEGROES AT HARVARD

THE CLASS OF 1963 AND THE 18 YOUNG MEN WHO CHANGED HARVARD FOREVER

A fine contribution to the literature of civil rights and the African American experience.

An alumnus of the Harvard class of 1963 recounts an experiment in affirmative action and its lasting effects.

Before 1959, the African American presence at Harvard was minimal to the point of being practically nonexistent. That year, the university recruited 18 young black men—women did not yet enter into the picture—one of them Garrett, who went on to excel in TV news and documentary-making. “I was by no means the first Black at Harvard,” he writes. “That was Richard Theodore Greener, who graduated in 1870. From then until the mid-twentieth century, there were sometimes one or two in a class, and often none.” The other 17 men were just as capable. In a kind of modern rejoinder to Michael Medved and David Wallechinsky’s What Really Happened to the Class of ’65? Garrett traces their lives and careers. All acknowledge that a Harvard education had its uses, but most also allow that during their student years, they kept quiet and did their work, careful not to give any reason to be forced out. Some of the former students are expatriates, having found other countries more congenial than the still racially troubled United States. One gentleman who has long lived in Austria after a career at IBM remembers going to student mixers and having classmates rush out to find a black girl for him to dance with: “There we were, the two of us, and all these whites just standing there glowing, saying ‘Isn’t it great?’ It was very embarrassing for her and for me.” Rueful reminiscence sometimes shades into anger, but for the most part, these extraordinary men chart life journeys that were full of challenges—as with a closeted gay classmate who went on to careers in the aerospace, banking, and advertising sectors—but also full of accomplishments. Garrett writes with an easy, charming style (“In the spring of 1962, I was still trying to climb the steep and slippery slope of organic chemistry”), but the sense of injustice is palpable.

A fine contribution to the literature of civil rights and the African American experience.

Pub Date: Feb. 11, 2020

ISBN: 978-1-328-87997-4

Page Count: 320

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Oct. 22, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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