A unique perspective that highlights both sides of a disagreement.
Another wordless tale of compassion from the husband-and-wife creators of I Walk With Vanessa (2018).
Rowdy young Alex bounds across the crowded schoolyard with a basketball, swiping and swishing it away from others. Another group of students nearby are carefully studying a youngster’s art pages. The two groups collide when a sudden, overzealous throw by Alex accidentally knocks the pages into a puddle. The children go indoors, but everyone remembers the incident. The young artist is feeling down, and classmates are seen glaring and scowling at Alex throughout the day. Resolution takes emotional work from both sides: One must be brave to apologize; the other must be open to forgiveness. The two tots work it out, with a surprise, heartfelt reparation sealing the deal. The watercolor-and-ink artwork makes effective use of white space, alternating full pages with vignettes. The wordless format lends itself expertly to introspection. As readers look closely at the characters’ expressions to parse out the plot, they’ll feel the emotions right along with them, though this outing takes a bit more examination than the duo’s previous work. The two main characters are both White, while the surrounding class is diverse. Notes on conflict resolution are appended, directed both to children and adults. (This book was reviewed digitally.)
A unique perspective that highlights both sides of a disagreement. (Picture book. 4-8)Pub Date: July 12, 2022
ISBN: 978-0-593-38150-2
Page Count: 40
Publisher: Random House Studio
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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