Another engrossing literary thriller from the eminent Swedish novelist whose books in English translation (Witches' Rings, p. 1549, etc.) seem to be the most warmly welcomed Scandinavian fiction since Peter Heg's Smilla's Sense of Snow. Like that international success, this eerie novel takes place in a frozen wasteland: the remote northern village of Rakisjokk, near the Finnish border (``You might say,'' grumbles one character, ``this is where the world comes to an end''). A young artist named Matti Olsson has died there, frozen to death in the snow after a drunken row at, of all things, a mah-jongg party. Following an initial investigation that accepted Rakisjokk's communal declaration of accidental death, Constable Torsson from nearby Orjas is persuaded by David Malm, Matti's old friend and fellow painter, to return to this taciturn wilderness and follow up a teasing new piece of evidence. What they gradually learn—in a neatly constructed narrative that Ekman cleverly distributes among the viewpoints of several variously involved characters—is that Matti may or may not (as alleged) have attempted to destroy his own canvasses, that the beautiful English teacher Anna Ryd had good reason to dispose of that bag containing a coil of rope with human hair clinging to it, and that Matti's death may be connected to the earlier disappearance of a younger woman with whom he was possibly involved. Constable Torsson, an overweight, wheezing, complaining delight of a character, puts it all together impressively—even when his interrogations are complicated by the mysterious shooting of two reindeer, a missing mah-jongg tile, a constantly barking elkhound, and the revelation that just outside Rakisjokk there exists a former passesadie (``place of sacrifice''). Most impressive of all is Ekman's dazzling surprise ending, in which the murderer's detailed confession, told in the first person, immediately precedes the disclosure of that character's identity in the brilliant concluding pages. Irresistible: Save this one for a wintry night by the fireside.
Pub Date: Jan. 5, 1998
ISBN: 0-385-48866-1
Page Count: 224
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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