Baker the social historian (he’s pretty good) trumps the novelist (not so hot) in this overstuffed novel whose parts are...
World War II Harlem is the setting for the parallel stories of a preacher (invented) and a hustler (the future Malcolm X) in Baker’s fourth novel, which concludes his New York–based trilogy.
A Harlem minister, Jonah Dove, is returning by train to New York from Martha’s Vineyard with his wife Amanda. Jonah, light enough to pass for white, and his much darker wife are saved from a mob of racist soldiers by an intrepid railroad sandwich man, 18-year-old Malcolm Little, leaving Jonah feeling impotent and humiliated. His famous father Milton (now 94) once led former slaves out of Virginia to form his first congregation. On retirement, he installed Jonah as his successor and even arranged his marriage; no surprise, then, that Jonah feels unworthy of his congregation and the too-perfect Amanda. Meanwhile, Malcolm, new to Harlem, is like a kid at Christmas, checking out the Savoy, Small’s Paradise and an anything-goes rent party. He falls in love with a beautiful white girl at the Savoy; he works as a waiter, a numbers runner, a drug dealer and a john-walker; he even has visions of Elijah Muhammad, though this reckless young blood has yet to touch bottom. Baker alternates between his two leads (goodbye, narrative momentum) while dipping frequently into their pasts. Scenes from Malcolm’s grim Michigan childhood are interwoven with striking vignettes of Elijah and Wallace Fard, his bizarre mentor; Jonah’s darkest hour occurred after rejection by his college buddies (they discovered he was colored). Affecting both men is a Harlem seething with anger at its army of occupation (the white cops) while black soldiers are being brutalized down South. Baker ends with an unlikely transformation. Wimpy Jonah, who has even botched his brief the-hell-with-it-all departure from home and church, returns to deliver a triumphant sermon, rescue Malcolm from a cop and defuse a race riot.
Baker the social historian (he’s pretty good) trumps the novelist (not so hot) in this overstuffed novel whose parts are better than the whole.Pub Date: Feb. 7, 2006
ISBN: 0-06-019583-5
Page Count: 560
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2005
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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