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STRIVERS ROW

Baker the social historian (he’s pretty good) trumps the novelist (not so hot) in this overstuffed novel whose parts are...

World War II Harlem is the setting for the parallel stories of a preacher (invented) and a hustler (the future Malcolm X) in Baker’s fourth novel, which concludes his New York–based trilogy.

A Harlem minister, Jonah Dove, is returning by train to New York from Martha’s Vineyard with his wife Amanda. Jonah, light enough to pass for white, and his much darker wife are saved from a mob of racist soldiers by an intrepid railroad sandwich man, 18-year-old Malcolm Little, leaving Jonah feeling impotent and humiliated. His famous father Milton (now 94) once led former slaves out of Virginia to form his first congregation. On retirement, he installed Jonah as his successor and even arranged his marriage; no surprise, then, that Jonah feels unworthy of his congregation and the too-perfect Amanda. Meanwhile, Malcolm, new to Harlem, is like a kid at Christmas, checking out the Savoy, Small’s Paradise and an anything-goes rent party. He falls in love with a beautiful white girl at the Savoy; he works as a waiter, a numbers runner, a drug dealer and a john-walker; he even has visions of Elijah Muhammad, though this reckless young blood has yet to touch bottom. Baker alternates between his two leads (goodbye, narrative momentum) while dipping frequently into their pasts. Scenes from Malcolm’s grim Michigan childhood are interwoven with striking vignettes of Elijah and Wallace Fard, his bizarre mentor; Jonah’s darkest hour occurred after rejection by his college buddies (they discovered he was colored). Affecting both men is a Harlem seething with anger at its army of occupation (the white cops) while black soldiers are being brutalized down South. Baker ends with an unlikely transformation. Wimpy Jonah, who has even botched his brief the-hell-with-it-all departure from home and church, returns to deliver a triumphant sermon, rescue Malcolm from a cop and defuse a race riot.

Baker the social historian (he’s pretty good) trumps the novelist (not so hot) in this overstuffed novel whose parts are better than the whole.

Pub Date: Feb. 7, 2006

ISBN: 0-06-019583-5

Page Count: 560

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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