by Kevin Diller & Justin Lowe ; illustrated by Tian Mulholland ‧ RELEASE DATE: April 7, 2020
An inclusive, be-yourself party—with cupcakes—can’t help but succeed.
Will Octicorn’s party be a success?
Octicorn loves pool parties and is planning one, but the horned cephalopod worries no one will show. Octicorn invites Unicorn, who says, “If there are rainbows to fly over. I’m in.” Octicorn is happy Unicorn will attend. Turtle says he will come if no one talks—he’s shy. Seahorse will come only if Unicorn is not invited. Snail will attend only if there is break dancing. Lion wants to eat the other guests, but Octicorn doesn’t think that’s a good idea. Woodchuck, of course, will come if there is wood to chuck. Octicorn is happy so many creatures will be there…until the hapless host realizes that many of the guests’ stipulations are mutually exclusive; there’s no way to satisfy them all. So Octicorn decides to have “a do what you want, be who you are, no matter what anyone else thinks, party instead.” And a good time is clearly being had by all—except Lion, who cannot attend but is given a cupcake to eat outside. Creators Diller and Lowe go beyond the one-joke core of Octi’s introduction in Hello, My Name Is Octicorn (2016) to present a tale of social awkwardness with dryly deadpan humor that the painfully shy, in particular, will identify with. Mulholland’s childlike scribbly doodle art replicates the look of the first book (done by Lowe with Binny Talib), and with its occasional splashes of color, it fits the tale and reinforces the tone.
An inclusive, be-yourself party—with cupcakes—can’t help but succeed. (Picture book. 3-9)Pub Date: April 7, 2020
ISBN: 978-0-06-238794-3
Page Count: 48
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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More by Kevin Diller
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by Kevin Diller ; illustrated by Justin Lowe with Binny Talib
by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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More by Erin Guendelsberger
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
BOOK REVIEW
by Erin Guendelsberger ; illustrated by Annelouise Mahoney
BOOK REVIEW
by Erin Guendelsberger ; illustrated by Suzie Mason
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