A muted palette and uncluttered yet nuanced compositions distinguish yet another winsome title from Henkes. Toddlers and...
Henkes’ latest tale for preschoolers focuses on five elephants whose daylong march provides opportunities for counting and exploring opposites.
“Look! / Elephants! // One, / two, / three, / four, / five.” A clear grid places the corresponding number of elephants to the right of each number. This parade (a collective noun for a group or herd of elephants) travels up and down hills, over a bridge above jumping fish, under palm trees, and in and out of a cave. Thick lines of brown ink contour the simple shapes, and a different pastel color distinguishes each elephant. (The first and largest elephant is blue; the fifth elephant, who marches last, is small and pink.) The pared-down narrative, delivered handsomely on thick, creamy paper in 46-point Futura Medium, is wryly funny: “They march all day. // And when the day is done, / they are done, too.” After the elephants yawn and stretch, “they lift their trunks… // and they trumpet— / scattering stars across the sky.” This lovely metaphor is humorously extended visually, as each elephant’s trunk seems to spew a burst of five-pointed stars upward. (The little elephant manages five.) Then: “Good night.” The elephants lie in a cozy huddle below the stars, signaling bedtime for sleepy kids, too. Brown endpapers bracket the story’s simple arc: butterflies and the sun at the start; the moon and stars to end it.
A muted palette and uncluttered yet nuanced compositions distinguish yet another winsome title from Henkes. Toddlers and grown-ups—snuggle up and enjoy. (Picture book. 3-6)Pub Date: Sept. 25, 2018
ISBN: 978-0-06-266827-1
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
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