Captures the magic of childhood summers, when colors are a song and a backyard can sing the wonders of the world.
Henkes and Dronzek evoke the sights, sounds, and joys of summer, completing their celebratory seasonal quartet.
Captivating poetic text begins like a stream of consciousness: “The Summer sun is a giant flower, / and the flowers are like little suns. / Little suns of all different colors.” Brilliantly woven together, these accessible and seemingly simple similes and metaphors form a vibrant and sophisticated ode to nature. Readers will drink in the delicious cool shade, feel the sweltering sun, and revel in the lush green garden. Henkes hears summer’s song everywhere—in the wind through the grass, the birds in the sky, and the oceans and lakes. Onomatopoeia fills the air with the sounds of bees and dragonflies, juxtaposed with the silence of the glowing firefly. Uncomplicated acrylic paintings done in a primary palette will appeal to young animal lovers. Deeply saturated blues and greens capture the essence of the season, Dronzek’s characteristically firm black outlines helping animals, flowers, birds, insects, and humans pop. A multiracial cast of kids tend pets, cool off in the sprinkler, play in the sand, and watch clouds. As the season wanes, there’s delicious anticipation for autumn’s change. This lovely read-aloud will be savored, just like a summer’s day.
Captures the magic of childhood summers, when colors are a song and a backyard can sing the wonders of the world. (Picture book. 3-8)Pub Date: April 7, 2020
ISBN: 978-0-06-286613-4
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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