A polished, playful story in which words and pictures dance in perfect harmony.
Complementing When Spring Comes (2016) and In the Middle of Fall (2017), a picture book that celebrates the winter season.
In small bites of text that allow pauses for readers to savor the illustrations and to connect with their own winter recollections, this accomplished picture book details the season of winter. Henkes’ text is simple but evocative, observing winter in perceptive and sometimes-playful detail. Dronzek’s acrylic illustrations—presented in a variety of double-page spreads, spot illustrations, and single-page images—enrich and deepen the text as they add story details and warmth with their saturated colors and masterful line. An amusing series of spot illustrations punctuated with perfect text engages readers in the laborious chore of dressing for winter (“Boots and zippers / and vests and zippers / and jackets and zippers”). The opening double-page spread—a park in winter with people of various skin tones sledding, building a snowman, skating, talking, and walking their dogs—becomes the grounding point for the story. As the story meanders along (in a very good way), readers will recognize the pond, the house, the child from the opening illustration, which deepens the overall narrative. When, at the story’s end, winter becomes spring, the same park scene is shown but now with blooming cherry trees and green grass, and so the cyclic nature of the seasons is visually emphasized.
A polished, playful story in which words and pictures dance in perfect harmony. (Picture book. 2-6)Pub Date: Oct. 30, 2018
ISBN: 978-0-06-274718-1
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
