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THE QUESTION IN THE DANCER'S KISS

THE BOOK OF SOUND

From the The History of Light series , Vol. 2

A blueprint for the next evolutionary step in genre-hybridized fiction.

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A mentally unstable former artist sees colors invisible on the normal spectrum and is plagued by ghosts in Hincker’s novel, the second in a series.

Once considered the most talented young artist in Skysill Beach—an art colony / tourist trap on the Southern California coast populated by artists who work with ultraviolet light—Gale is now an alcoholic who can barely hold down his job authenticating real paintings from forgeries because of his bad attitude, almost constant state of inebriation, and his frequent seizures, which he calls “storms.” When Gale is approached by a wealthy art collector and tasked with traveling to Los Angeles to have a potentially invaluable canvas authenticated—a painting that was allegedly done in 1492 by an Italian artist who painted with “higher colors”—Gale leaves the confines of Skysill Beach for the first time in his life and quickly realizes that the ghost (of a woman who died by suicide) who has been haunting him, his sexually charged relationship with a psychic, and his mysterious past are all entangled in a grand-scale conspiracy that includes the end of time itself. An intriguing premise, deeply developed characters, masterful worldbuilding, an impressively intricate storyline, and some bombshell plot twists at the novel’s end make this a virtually unputdownable read. Gale’s self-deprecating, razor-sharp wit (“…my strengths are introspection and getting drunk…”) gives the story an added layer of literary appeal. At the height of an intense scene in which antagonistic characters meet, Hincker throws in this great line: “For a second no one spoke because it would’ve wasted the stare down.” Though the various narrative elements, when considered separately, aren’t exactly groundbreaking, cumulatively the storyline has a wonderfully fresh and innovative feel.

A blueprint for the next evolutionary step in genre-hybridized fiction.

Pub Date: Aug. 14, 2023

ISBN: 9798987630174

Page Count: 334

Publisher: Self

Review Posted Online: Dec. 1, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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DON'T LET HIM IN

Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.

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Following her father’s sudden death, Aisling Swann is secretly horrified when her mother begins to date again—and she quickly becomes suspicious of this new flame.

Four years ago: A mysterious male narrator reflects upon his relationship with his wife—along with a few pointed comments about how she is aging. It quickly becomes apparent that this self-proclaimed “very pleasant” man is not who he seems; he already has a girlfriend on the side, and he’s playing both women with sob stories about his job and his traumatic past while taking money from them. Even as they get more and more frustrated with his lack of communication during ever-lengthening absences, he still gives them what they want: “a top-notch husband.” In the present day, Ash Swann; her brother, Arlo; and their mother, Nina, mourn the loss of her charismatic father, Paddy, a successful chef with a chain of lucrative restaurants. Nina receives a sympathy note from a man who claims to have worked closely with Paddy in the industry, which leads to a robust online flirtation that moves into the real world about a year after her husband’s death. Ash is living at home, mired in grief as well as her own mental health struggles, and she’s none too happy to see her mom dating—but particularly this handsome, egregiously suave Nick Radcliffe. Ash begins to notice some inconsistencies with his stories and his past, so she enlists Paddy’s ex-girlfriend Jane to help her investigate. Meanwhile, Ash’s story continues to intercut that of the mysterious man who is now married to his former girlfriend—and still up to his old tricks. Jewell’s cutting between past and present certainly allows revelations to ooze out at a slow, controlled pace; even as the reader makes obvious connections, the full picture remains obscure. Jewell has written some incredibly engaging and strong female characters, Nina, Ash, and Jane foremost among them. What would it have been like to split the narrative between them instead of giving so much voice—and thus narrative power—to the male antagonist?

Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.

Pub Date: June 24, 2025

ISBN: 9781668033876

Page Count: 384

Publisher: Atria

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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