Alamak! as they say in Singapore. Please say it isn’t over! Of course everything’s wrapped up perfectly and tied with a...
The final installment of this bestselling saga of life among the billionaires of Singapore puts the family matriarch at death’s door—which means somebody’s going to inherit her exquisite estate.
The fairy tale/soap opera/lux-a-thon that began with Crazy Rich Asians (2013) and China Rich Girlfriend (2015) comes to a fittingly majestic and hilarious end in Kwan’s third novel. When Su Yi’s health precipitously fails, Shang-Young family members from all over the globe assemble at Tyersall Park—some out of genuine concern, others to callously go after their piece of the pie (this contingent is led by the always hilariously awful and overdressed Eddie Cheng). The only two family members missing are those Su Yi is most attached to—her grandchildren Nicky Young and Astrid Leong. Nicky hasn’t spoken to his grandmother since he married beneath his station five years ago, and though he tries to rush to her side, the guards at Tyersall Park have been instructed not to let him in. How can that be? Meanwhile, Astrid is in the midst of getting engaged to her beloved Charlie Wu at a palace in India complete with elephants when paparazzi hell breaks loose, unleashing a chain of events that includes a leaked sex tape and a suicide attempt involving a Lindsay Adelman chandelier. As the sharks circle at Tyersall Park, related dramas play out around the globe, including an all-out, multicontinental war between Kitty Pong and Colette Bing. Also unfolding is the amazing back story of Su Yi’s secret involvement in World War II, which turns out to have significant bearing on her legacy. Readers who thought they didn’t like to read about rich people will quickly lose all high-minded pretensions as they revel in the food, fashions, real estate, and art so lusciously strewn through this irresistible, knowing, and even sometimes moving story. Things that are this much fun are usually illegal.
Alamak! as they say in Singapore. Please say it isn’t over! Of course everything’s wrapped up perfectly and tied with a (priceless, hand-painted, 15th century) bow—but not since we were kicked out of Hogwarts and Downton Abbey have we felt so adrift.Pub Date: May 23, 2017
ISBN: 978-0-385-54223-4
Page Count: 416
Publisher: Doubleday
Review Posted Online: Aug. 5, 2017
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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