A thought-provoking breakdown of the real cost of all our cheap stuff.
Where does your stuff come from? That question is answered for five items in this chatty book.
The creative duo behind Follow Your Money (2013) team up again to create a book that takes common items in the Western world—a T-shirt, an asthma inhaler, a cellphone, eyeglasses, and, cleverly, this book itself—and follows each from raw material to finished product. Beginning with the seed planted in China to grow the cotton for the cloth woven in Guatemala, through the cutter and seamstress in India as well as the printer in Mexico and finally to the store at the North American mall where the T-shirt is bought, Sylvester and Hlinka demonstrate how globally and humanly intertwined it is. Aspiring authors will be particularly fascinated at what it took to make the book they are reading. Each item’s economic and physical journey is presented in a fact-based format with a lively design of dialogue bubbles, text, and illustrations (showing racially diverse kid consumers as well as workers from around the globe). Sidebars prod readers to think about the real cost of goods as they present facts about low wages and unsafe working conditions in developing nations, global environmental stresses, and other concerns, effectively challenging readers to consider what their money supports.
A thought-provoking breakdown of the real cost of all our cheap stuff. (references, further reading, index) (Nonfiction. 10-16)Pub Date: April 9, 2019
ISBN: 978-1-77321-254-8
Page Count: 100
Publisher: Annick Press
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Ultimately adds little to conversations about race.
A popular YouTube series on race, “Uncomfortable Conversations With a Black Man,” turns how-to manual and history lesson for young readers.
Acho is a former NFL player and second-generation Nigerian American who cites his upbringing in predominantly White spaces as well as his tenure on largely Black football teams as qualifications for facilitating the titular conversations about anti-Black racism. The broad range of subjects covered here includes implicit bias, cultural appropriation, and systemic racism. Each chapter features brief overviews of American history, personal anecdotes of Acho’s struggles with his own anti-Black biases, and sections titled “Let’s Get Uncomfortable.” The book’s centering of Whiteness and White readers seems to show up, to the detriment of its subject matter, both in Acho’s accounts of his upbringing and his thought processes regarding race. The overall tone unfortunately conveys a sense of expecting little from a younger generation who may have a greater awareness than he did at the same age and who, therefore, may already be uncomfortable with racial injustice itself. The attempt at an avuncular tone disappointingly reads as condescending, revealing that, despite his online success with adults, the author is ill-equipped to be writing for middle-grade readers. Chapters dedicated to explaining to White readers why they shouldn’t use the N-word and how valuable White allyship is may make readers of color (and many White readers) bristle with indignation and discomfort despite Acho’s positive intentions.
Ultimately adds little to conversations about race. (glossary, FAQ, recommended reading, references) (Nonfiction. 10-14)Pub Date: May 4, 2021
ISBN: 978-1-250-80106-7
Page Count: 320
Publisher: Roaring Brook Press
Review Posted Online: May 10, 2021
It’s an eye-opening case study in how history and folklore can intertwine.
With assistance from Aronson, a veteran author/editor and nabob of nonfiction, Nelson recasts his adult title Steel Drivin’ Man: The Untold Story of an American Legend (2006) into a briefer account that not only suspensefully retraces his search for the man behind the ballad, but also serves as a useful introduction to historical-research methods.
Supported by a generous array of late-19th- and early-20th-century photos—mostly of chain-gang “trackliners” and other rail workers—the narrative pieces together clues from song lyrics, an old postcard, scattered business records and other sources, arriving finally at both a photo that just might be the man himself, and strong evidence of the drilling contest’s actual location. The author then goes on to make speculative but intriguing links between the trackliners’ work and the origins of the blues and rock-’n’-roll, and Aronson himself closes with an analytical appendix.
It’s an eye-opening case study in how history and folklore can intertwine. (maps, bibliography, index) (Nonfiction. 10-13)Pub Date: Dec. 11, 2007
ISBN: 978-1-4263-0000-4
Page Count: 64
Publisher: National Geographic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
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