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BRIGHT WE BURN

From the And I Darken series , Vol. 3

An intense, engrossing read that never loses sight of its passionate characters’ humanity, especially when they’re at their...

In 1454, conflict between the once-inseparable Lada, Radu, and Mehmed comes to its inevitable bloody fruition.

Prince Lada Dracul consolidates her power to stand against the Ottoman Empire’s demand that Wallachia return to being a vassal state. She does this both by stirring up trouble in other states and by her usual brutal violence—so brutal that Sultan Mehmed, busy rebuilding newly-conquered Constantinople, must respond. Meanwhile, Radu struggles with his part in Constantinople’s fall and his guilt over Nazira and Cyprian, who vanished after sailing away. To bring Lada to heel, Mehmed sends Radu to capture her so they can negotiate; Lada also plans to kidnap Radu, viewing him as fundamentally hers. Neither gets what they want. The subsequent invasion features force that is massive on Mehmed’s part and depraved on Lada’s. Mehmed may have the money and numbers (compared to Lada’s shaky alliances), but Lada is clever, terrifying, and has cultivated a near-worship among the peasants whose lots she’s improved—even as she turns her country into a giant deathtrap. Politics, battle strategy, and betrayals thrill, while the toxic dynamic keeps the focus on the intrinsically linked trio. Most characters are Central or Eastern European or Turkish; Islam has a positive portrayal, as do same-sex relationships.

An intense, engrossing read that never loses sight of its passionate characters’ humanity, especially when they’re at their worst. (map, dramatis personae, glossary, author’s note) (Historical fiction. 15-adult)

Pub Date: July 10, 2018

ISBN: 978-0-553-52239-6

Page Count: 416

Publisher: Delacorte

Review Posted Online: April 9, 2018

Kirkus Reviews Issue: May 1, 2018

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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BINDING 13

From the Boys of Tommen series , Vol. 1

A troubling depiction of an unhealthy relationship.

A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.

Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.

A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)

Pub Date: Nov. 28, 2023

ISBN: 9781728299945

Page Count: 626

Publisher: Bloom Books

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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