Readers will be ensorcelled by the redemptions, revelations, and reconciliations.
Lines between good and evil blur as loyalties are tested in this trilogy conclusion.
Following the cliffhanger ending of The Camelot Betrayal (2020), Guinevere may have successfully sealed Camelot against its enemies in Arthur’s absence, but that wasn’t enough to save her. Held by Picts (who prefer to be called northern people) and familiar faces—Mordred and Morgana—she’s being taken by King Nechtan’s army to see the Dark Queen. Along with her complicated relationship with silver-tongued Mordred, Guinevere quickly forms a rapport with one of her captors, finding Nechtan’s bold, witty daughter Fina impossible not to like. Taking advantage of her proximity to Morgana—who assures Guinevere that they share a true enemy in Merlin—Guinevere asks her to help untangle the truth of Guinevere’s identity. The hard-fought answers she eventually finds cause her even worse existential angst. Tangled up with Guinevere’s identity issues is her web of relationships involving passion, duty, love—especially love, numerous kinds of love—and the broken trusts that weigh on her heart. Guinevere’s internal war of identity and individuality ends up informing the physical action of the climactic battle in a dramatic, high-stakes way. The conclusion of the story closes the curtain on the mythical elements in a gratifying manner and gives closure to the characters, though not without some bittersweet losses.
Readers will be ensorcelled by the redemptions, revelations, and reconciliations. (Fantasy. 12-18)Pub Date: Dec. 7, 2021
ISBN: 978-0-525-58175-8
Page Count: 368
Publisher: Delacorte
Review Posted Online: Oct. 25, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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