A joyous investment in the power of language to reveal and then transform.
A grandmother’s descent into dementia causes her genderfluid grandchild to embark on an exploration of the family tree in this prize-winning debut novel from a Swiss author.
In the Bernese German dialect, "grossmeer," or grandmother, translates literally to "large ocean," and the sense the narrator has of their own beloved but often troubling Grossmeer reflects this vast, enveloping unknowability. As Grossmeer’s condition declines, the narrator sets out to compile the stories that form the complex throughline from their cloistered childhood in the provincial Swiss city of Ostermundigen, growing up in the house their great-grandfather built with his own hands, to their current life in Zürich as a genderfluid person with an abundant sex life. But, just as they see language as "an ocean, waving and mixing, ebbing and gushing, with no clear border,” the boundaries of memory prove equally fluid. The narrator travels backward through Grossmeer’s dark fairy tales of the Ostermundigen house and garden with its towering blood beech, planted on the day of Grossmeer’s birth, and then even further back through the biographical research their witch-obsessed mother has done into the family’s forgotten matrilineage of midwives, herbalists, and prostitutes. The resulting text is nothing so simple as a record of Grossmeer’s life, or even an answer to the questions that dog her descendants’ understanding of her secretive childhood, haunted by a harsh mother, dead or disappearing sisters, and the limitations placed upon her by both poverty and her gender. Rather, the narrator interrogates the “binary-fascism” of language (spoken, written, in the gestures of the body) in order to reflect the “urgent in-betweenness” forced upon them by their fluid reality in a rigidly binary world. As the narrator says, “Perhaps writing is the search for a foreign language in the words we have available to us.” This book, which flits stylistically among heady fairy-tale iconography, a meticulously researched cultural history, and a sendup of high postmodern maximalism, among other modes, reinvents the narrative of the family drama not as a vehicle for the narrator’s identity, but as a lucent mirror held up to the possibilities of our own.
A joyous investment in the power of language to reveal and then transform.Pub Date: Aug. 26, 2025
ISBN: 9780374612375
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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