Spotlights a commendable role model and his rich heritage.
A nation honors an extraordinary warrior who never forgot his identity.
Every year since 1942, the Osage people have sung their ceremonial drum song to remember the first Native American general, Clarence Tinker, who was killed during the Battle of Midway in World War II. Rogers (Wichita) shares Major General Clarence Tinker’s heartaches and successes and honors his legacy of service. She explains how, years before he was born, the Osage were removed from their land by European settlers. As a child, Tinker was sent to boarding school and made to give up his Indigenous customs. He refused to forget them, however, and constantly reminded himself that he was Osage. He joined the Army Air Corps and longed to serve in World War I, but his commanding officer wouldn’t allow it. (“Is it because I am Osage?” he wondered.) He eventually realized his dream of becoming a pilot, and in 1942, he became the highest-ranking Indigenous American in history. The repeated phrase “I am Osage” establishes a rhythm throughout the story, like a drum beat, and appears at pivotal points in Tinker’s life. Von Martin’s bold, photorealistic images complement the text; lighter, superimposed images of his ancestors make it clear that Tinker’s Osage identity was a constant source of strength. Rogers’ storytelling brings to life a kindhearted, resilient historical figure who was devoted to his community.
Spotlights a commendable role model and his rich heritage. (author’s note, Osage and Wichita history, timeline, note from author-curator of Heartdrum) (Picture-book biography. 6-10)Pub Date: Feb. 6, 2024
ISBN: 9780063081161
Page Count: 40
Publisher: Heartdrum
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...
Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.
The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.
A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)Pub Date: May 2, 2017
ISBN: 978-0-399-54728-7
Page Count: 32
Publisher: Philomel
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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