Visually dazzling but should be supplemented with additional resources for a more comprehensive look at Juneteenth.
An exploration of the origins of Juneteenth.
It’s June 19, 1865, and as an enslaved Texan African American child named Huldah gets ready to celebrate their 10th birthday, soldiers arrive at the plantation to inform the inhabitants that slavery has ended and in fact has been over for two years. Though the plantation owners are angry, the formerly enslaved people rush to celebrate by sewing freedom flags. Created with fabric collage, the art in this work from quilter Taylor is stunning. The craftsmanship and attention to detail are breathtaking, and in an author’s note, Taylor shares that it took her over a year to create the quilts used for the book. However, the story offers a somewhat rosy depiction of the period. Not only does Huldah know their birthday and age, they have the double luxury of celebrating the day with their mother with tea cakes. The book is also thin on factual information. While in her author’s note, Taylor describes how she learned about Juneteenth in 2014 and why she was inspired to write and illustrate this work, she doesn’t include background on this holiday or the actual Juneteenth flag, which was created in 1997 by activist Ben Haith. Those seeking a more detailed history should pair this with Juneteenth (2006) by Vaunda Micheaux Nelson and Drew Nelson, illustrated by Mark Schroder, and All Different Now (2014) by Angela Johnson, illustrated by E.B. Lewis. (This book was reviewed digitally.)
Visually dazzling but should be supplemented with additional resources for a more comprehensive look at Juneteenth. (Historical picture book. 5-9)Pub Date: Jan. 3, 2023
ISBN: 978-0-8234-5224-8
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: Oct. 26, 2022
Kirkus Reviews Issue: Nov. 15, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
A sweet and endearing feathered migration.
A relationship between a Latina grandmother and her mixed-race granddaughter serves as the frame to depict the ruby-throated hummingbird migration pattern.
In Granny’s lap, a girl is encouraged to “keep still” as the intergenerational pair awaits the ruby-throated hummingbirds with bowls of water in their hands. But like the granddaughter, the tz’unun—“the word for hummingbird in several [Latin American] languages”—must soon fly north. Over the next several double-page spreads, readers follow the ruby-throated hummingbird’s migration pattern from Central America and Mexico through the United States all the way to Canada. Davies metaphorically reunites the granddaughter and grandmother when “a visitor from Granny’s garden” crosses paths with the girl in New York City. Ray provides delicately hashed lines in the illustrations that bring the hummingbirds’ erratic flight pattern to life as they travel north. The watercolor palette is injected with vibrancy by the addition of gold ink, mirroring the hummingbirds’ flashing feathers in the slants of light. The story is supplemented by notes on different pages with facts about the birds such as their nest size, diet, and flight schedule. In addition, a note about ruby-throated hummingbirds supplies readers with detailed information on how ornithologists study and keep track of these birds.
A sweet and endearing feathered migration. (bibliography, index) (Picture book. 5-8)Pub Date: May 7, 2019
ISBN: 978-1-5362-0538-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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